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Please do feel free to contact Robin and Julie on robin. The inventory of its collections has been progressing apace and a new database has been selected. Entre tanto el Papa se hallaba camino de Alemania.

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Por consiguiente, se procur6 unos habitantes de la region, fami- liarizados con el pais y acostumbra- dos a la fragosa euspide de los Al- Gregorio VII Hildebrando que oblig6 al emperador y rey Enrique IV a pedirle perd6n, humillAndosele, en el castillo de Canosa Guiados por aquella gente llegaron a la cresta de la cor- dillera con alguna dificultad; pero el descenso, despefiadizo, y como ya se ha dicho, resbaladizo con hielo glacial, desafiaba to d o ulterior advance.

Los hombres, emperor, es- taban dispuestos a desafiar todos los peligros a la fuerza. Ya gatean- do sobre manos y rodillas, ya re- costados a los hombros de los guias, tambaleAndose sobre los sitios res- balosos, cayendo a veces, deslizAn- dose las mas, y con riesgos graves de su vida, se las agenciaron al fin para llegai a tierra lana.

La Reina y las mujeres que la servian fueron colocadas sobre pieles de buey y arrastradas por los guias a cargo del grupo. De los caballos, unos fueron colocados en ciertos artefac- tos, mientras que otros eran arras- trados con las patas atadas jun- tas. Muchos de ellos murieron mientras los arrastraban los mAs enfermaron, mientras que fueron pocos los que pasaron ilesos e in- afectados por aquel peligro.

Cuando se difundi6 por Italia el rumor de que venia el,Rey, de que habia vencido los peligros de las montafias y se hallaba dentro de los confines de Italia, todos los obispos y condes de la region acu- dieron a l1 y lo recibieron con el mayor honor y magnificencia, co- IEl papa Gregorio VII excomulga al emperador Enrique IV que in- tentara deponerlo como pontifice Enrique IV y los ciudadanos de Worms, donde el rey convocara Un sinodo para deponer al papa a quien envi6 un mensaje insultante, No tard6 en ser excomulgado Enrique y a poco se siguid el episo- dio de su humillaciOn que se describe en el texto.

A los-pocos dias estaba rodeado de una hueste innumerable. Porque alli se encon- traban aquellos que desde el prin- cipio mismo de su reinado habian deseado aquel advenimiento. Italia da de guerras, contiendas partidis- tas, robos y asaltos de varias cla- ses a los individuos. Esperaba aquella gente que Enrique corregi- ria con la censura real istas y to- das las demAs infracciones de la ley y de los derechos de los mu- chos por unos pocos presuntuosos.

Tambidn se vociferaba que el Rey venia presuroso y poseido de gran c6lera a deppner al Papa. Esto complacia asimismo a muchos, por- que les brindaria la oportunidad de obtener adecuada venganza contra quien por tan largo tiempo los tu- viera suspendidos de la comuni6h eclesiastica.

Entre tanto el Papa se hallaba camino de Alemania. Los principles que se reunieron en Oppenheim ha- bianle enviado cartas instAndolo con urgencia a encontrarlos en Augsburgo el dia de la Purifica- ci6n de Santa Maria 2 de febrero para discutir el caso del Rey. Por consiguiente, a pesar de la disua- si6n de los nobles romanos que te- mian el resultado incierto del asun- to, apresur6 su partida cuanto pudo a fin de estar alli el dia sefialado.

Su escolta se la suministr6 la con- desa Matilde de Toscana Cuan- do habia iniciado la jornada se en- ter6 inesperadamente de que el Rey estaba ya en Italia. A instancias de Matilde, pues, se retire a cierto sitio muy bien fortificado lamado Canosa, a esperar alli hasta haber comprobado mis cuidadosamente el prop6sito de la venida del Rey.

Queria saber si el Rey venia a pe- dirle perd6n, o si buscaba airado vengar por la fuerza la excomu- ni6n. El rey Enrique, sin embargo, ce- lebr6 una conferencia con la con- desa Matilde y la envi6 al Papa, cargada de ruegos y promesas. Con ella envi6 tambien a su suegra, a su hijo, al margrave Azzo, y el abad de Cluny, asi come a algunos principles de Italia que no necesi- tamos mencionar.

Todos rogaron al Papa que lo absolviera de la exco- muni6n y que no pusiera fe teme- rariamente en las acusaciones de los principles alemanes que eran movidos mis por la pasi6n del ren- cor que por el amor a la justicia. Cuando el Papa oy6 este mensaje dijo que era impropio y asaz con- trario a la ley eclesiastica ventilar el caso de un acusado en ausencia de los acusadores.

Es mas, les ma- nifest6 que si el Rey estaba seguro de su inocencia dadi dar de lado a todos los escrfipulos de temor y presentarse confiadamente en Augs- burgo el dia que los principles ha- bian acordado reunirse. Alli, cuan- do se hubieran oido l aaos alegatde ambas parties, se le impartiria la mas recta justicia en todos los pun- tos, sin prejuicio o favor, de acuer- do con el derecho eclesiastico.

A esto contestaron ellos que el Rey jams evadiria un juicio que sabia habia de ser la mAs inexpugnable vindicaci6n y recomendaci6n de su equidad e inocencia.

Pero, apunta- ban ellos con apremio, el aniversa- rio del dia en que el Rey habia sidoj excomulgado se acercaba, y los principles del reino que se- retraje- ran hasta entonces en espera del resultado del asunto en cuesti6n tornabanse impacientes.

Si Enrique no era absuelto antes de ese dia, segfin el derecho palatino, se le tendria por indigno de la realeza y no merecedor de que se volvie- ran a oir sus arguments en pro de su inocencia. Por esta raz6n, decian, busca l1 la absoluci6n tan resueltamente, y estA dispuesto a ofrecer cualquier form de satis- facci6n que pueda demandar el, Papa a fin solamente de que lo ab- solviera del anatenia y recibir la gracia de la comuni6n eclesiastica.

En cuanto a las acusaciones que sus acusadores habian hecho con- tra 61, estaria dispuesto a respon- der plenamente a ellas, como si na- da se hubiera hecho con este con- venio, cuando y done el Papa le ordenara. We arenowexpectingtorecruitournewcolleague by the end of the summer. This will become a clear priority for the Secretariat as soon as the office move is completed. As usual, the trophy — a silver film can — was made in Mexico from silver recovered from film prints discarded by the lab of the Filmoteca de la UNAM.

There are no further FIAF Award recipients selected at this stage, although a few names have been suggested by members of the Executive Committee. As those 90 Journal of Film Preservation She started thereasacataloguer,thenbecameresponsible for non-commercial research viewings and loans of prints to a variety of venues, including thepremisesofFIAFaffiliates,andfinallymoved to the preservation department. A lot of effort was put into it by the Secretariat, in particular to ensure that the information it contains is as correct and upto-date as possible, since it is only published every two years.

The directory can still of course be access via the search field on the home page of the FIAF website. Please do not forget to inform us of any major change in personnel in your institution, so that we can update our records and the online directory accordingly.

This represents over different high-resolution image files, which will eventually be incorporated into the new historical section of the new FIAF website. During the Skopje congress, a small party was organised to allow FIAF affiliates and Supporters to meet in an informal environment. After approximately four decades the curtain falls over the International Index to Film Periodicals in book format.

Printed volumes have been published annually since , but in recent years the number of subscribers decreased drastically.

Therefore the decision was taken to discontinue the series, meaning that volume 41 published in was our final edition. Of course the International Index to Film Periodicals remains available in electronic format. Back volumes can still be ordered through the FIAF website. It is not too late to offer additional questions, comments, and other feedback!

We would also be delighted to learn of anyone interestedinworkingonrevisions,appendices, and examples. We continue to seek volunteers to translate the Glossary of Filmographic Terms into additional languages. We also plan to design a better web interface for searching the Glossary and will work with the Secretariat to implement such a system in the new FIAF website. Members of the CDC: Nancy Goldman NLG berkeley. These were done using a single laboratory Prestech in London , on a single printer, a single scanner, and a single film recorder, so although these early results suggested that there was not much difference in resolution between scanning and printing, but that recording a scan back on to film introduced a noticeable drop in resolution, we should not assume that this is always the case.

We are now looking to extend the tests to a wider range of laboratories and equipment, and will report on the results in due course. If anyone with their own laboratory services would like to take part in this study, please let me know. In this she will be collaborating with various experts, and asks that you contact her camilleblotwellens hotmail. She is particularly interested in ways of identifying and dating stocks other than Kodak. We hope to run a two-day basic technical training for film archivists course later this year.

We are currently discussing details such as the location, the cost, and the course content, and hope to be able to announce it in the next two months. Finally, we intend to send out a survey yes, we know how much you all enjoy surveys to all FIAF affiliates to find out what equipment and systems are currently in use in your archives.

The intention is that this information can be shared to all FIAF members so that expertise and experiences can be exchanged. Members of the TC: David Walsh dwalsh iwm. Shot no more than miles from Skopje during the Second Balkan War,the film was considered lost,so all thearchivistsfromtheBalkanswentnuts.

Iwas overwhelmed by congratulations for rescuing their national patrimony, while a German archivisttoldmethatwecouldnothavegivena better present to Skopje than to bring this film to FIAF. Our newsreel preservationists Blaine Bartell and Jeff Bickel are now national heroes there!

Meanwhile, I also presented a paper on the film on the second day of the symposium, much of my historical analysis cribbed from a paper I wrote in graduate school in on the two Balkan wars in The symposium itself was a mixed bag of historical papers, surveys of WWI film collections, and descriptions of methodologies for cataloging and preserving war footage. Several early speakers,including representatives from Australia, Washington, D. Speakers from Denmark, Berlin and theNetherlandspresentedtheircontributionsto the European Film Gateway site on WWI, which makes close to 3, films available online for streaming from23 European archives.

The films not only include combat and behind the front footage, but also other documentaries shot during the war, as well as short comedies and fictional material. There are even films about WWII that were made long after the war.

The only caveat is that many of the films, like those of the Deutsche Kinemathek, are not yet uploaded. This opens the prospect of using the methodology for reconstructing other lost documentaries, given that such footage is often repurposed.

All in all, well worth the trip to Skopje, thanks to the Cinematheque of Macedonia. Four sessions,chaired by Ulrich Ruedel BFI and co-presented with distinguished international panelists representing the National Film and Sound Archive of Australia, Imperial War Museum and the Swedish Film Institute, covered the most pressing technical and economic issues facing all film archives during the dramatic transition between analogue and digital technologies.

Particular focus areas chosen were photochemical laboratory services, training and transfer of knowledge, and analogue projection and film equipment. Charles Fairall introduced the background of the initiative and the challenges of the digital cinema revolution on the background of parallel challenges faced in the video preservation world a couple decades ago. David Walsh IWM challenged conventional notions about the relative archival value and quality of photochemical vs.

In the presentations and a lively and engaging debate covering the entire ground from practical to preservation-ethical problems, particular emphasis was placed on the need to internationally collaborate in order to maintain skills, understanding and capabilities essential to interpret the myriad physical and chemical attributes of heritage moving images for both analogueanddigitalpresentationandpreservation.

The main deliberations of the GA were as follows: It was decided that the four remaining rules will be revised by a sub-committee of the Executive Committee and will be submitted to the Canberra General Assembly next year. The formal minutes of the General Assembly will be added to the Skopje Congress report, available to you later this year. The list of participants to the school, and the full programme of the course are available at: As the Fund is about to dry up, FIAF will have to find new ways of funding training projects on that continent.

The remainder of the money from the Goethe Institut Fund will be spent on a symposium to take place in Maputo Mozambique at the end of this year. Entirelycomposed of unique contemporary footage, this 65 minute film paints a picture of life in the region before war was declared, of the men women and children whose lives were irrevocably changed by it, and of the preparations for and aftermath of combat The commentary is voiced by BAFTA award nominated Maxine Peake.

Available only in Spanish. Featuring numerous photographs and enhanced with an illustrated glossary, the book looks back on the birth of the archive in , its founder Raymond Borde, its missions, its collections and the future challenges that the Toulouse Cinematheque is preparing to take up. Vladimir started working at the archive of the Czech Film Institute in He kept the Archive intact and State funded during the Communist era when the policy was to remove images countering the current ideology , and during thepost-Communistperiodwhenprivatisation was rampant.

The collection is famous worldwide for its range and for the fact that it preserved internationally important films considered lost in their own countries. Since then, eighteen interviews have been undertaken, and edited versions of nine of these have been published in the Journal of Film Preservation.

Sadly, though proposed as interviewees, two colleagues, Vladimir Dmitriev and Sam Kula, died before they could be recorded. This only goes to demonstrate how urgent it is for us to seek out and interview older archivists to record their invaluable life stories to help to fill the many gaps in our collective history.

Interviewed so far are: