Sakura card captor 57 latino dating

sakura card captor 57 latino dating

Voice actress and director Cristina Hernández announced on Saturday that she is directing Spanish dub of Cardcaptor Sakura: Clear Card for. Main · Videos; Best online dating site for asians captor 57 latino dating sakura card captor 57 latino dating la piastra rovina i capelli yahoo dating la piastra. Ten-year-old Sakura lives a pretty normal life with her older brother, Toya, and widowed father, Fujitaka. In the monumental task of collecting all the cards, Sakura must rely on her friends and Episode 57 . Sakura's Breathtaking First Date.


sakura card captor 57 latino dating

Sakura was a more considerate character in the original, much more in line with Japanese stereotypes of schoolgirls. Massachusetts Institute of Technology, This relationship partially explained why the producers found it necessary to censor certain mature themes in Cardcaptor Sakura. Different parenting styles present in America and Japan and could explain why the producers felt it was necessary to make the changes to Card Captor Sakura when they adapted it for an American audience.

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The pronunciation of the names was also changed to resemble western usage. This was to allow the audience to identify with the characters, as Japanese names were judged to be too difficult to pronounce. Thirdly, several character personalities were altered to suit the American context.

While Cardcaptor Sakura mostly polite, soft-spoken and reserved Japanese children, Cardcaptors portrayed them in a manner closer to what the target audience expected. In the dub, the characters became much more outspoken. At this point, it is important to note that Nelvana had retitled Cardcaptor Sakura emphasizing the female lead Cardcaptors plural and non-gender specific with the goal of a demographic shift in mind.

Sakura was a more considerate character in the original, much more in line with Japanese stereotypes of schoolgirls.

In the English dub, however, she is much more assertive and brash in her speech. The Japanese opening sequence features a very upbeat, cheerful tune, sung in a sweet high-pitched voice, with suitably accompanying visuals of the main characters prancing around cheerfully [10].

The Cardcaptors opening however, is sung by a male vocalist in an excited, almost aggressive tone, while images of flashing lights and swords and animals baring teeth speed across the screen [11]. There are also obvious lyrical differences between the two openings.

Prior to the advent of animation blocks aimed at older viewers established in the latter half of the s, the primary American animation audience was largely considered to be young boys.

This must be taken into account along with the fact that in America, children often made stark distinctions between masculine and feminine elements in animation. Historically, it was expected that boys like masculine things — action, adventure, sci-fi, etc. Beyond that, elements which were deemed to increase the series appeal to six to nine year old boys were added, while elements that may have detracted from that demographic were removed [13].

Cardcaptors proceeded to run in the U. We are therefore airing the episodes in an order that makes this possible. Sakura to some extent did acquire and possess superhuman powers and was portrayed as a force for good [21]. Female superheroes as a whole and Sailor Moon in particular, have not achieved the same level of success in the United States as they have in Japan [25].

The role of superhero has traditionally been reserved for males, and targeted at a predominantly male audience [26]. Others have suggested that Kids WB! According to Laurie Cubbison, associate professor of English and Director of Writing at Radford University, young boys were considered to be the principal cartoon audience in the United States because of the toy market, and TV programs were targeted at this audience in order to lure advertisers [30].

Its increasingly strong television performance [32] is driving demand for merchandise and we are optimistic this brand will have substantial marketing legs.

In January , the producers also collaborated with the restaurant chain Taco Bell for a month long promotion in which four Cardcaptors toys were available in their kids meals [34]. To maximise potential revenue from advertising and merchandise, Kids WB!

Firstly, much like how the episodes themselves were edited, Cardcaptors was advertised mainly to a younger male audience, airing commercials which featured Shaoran as the prominent character and Sakura a secondary character [35]. Saturday mornings at 9. Like the changes in micro elements such as character names and personalities, Nelvana and Kids WB! However, as Cardcaptors was broadcast in the States, it soon became apparent that numerous other changes had been made to it outside the realm of names, locations, or episode order as has been discussed in the previous sections.

These changes served to remove any material throughout the series that was deemed inappropriate for a young American audience. Material censored from the show included relationships between characters with lesbian or homosexual undertones, such as the ones between pre-teen female characters Tomoyo and Sakura, and teenage male characters Toya and Yukito.

Homosexual relationships in anime have rarely gone down well with American censors. In the s, the homosexual relationship between Sailor Uranus and Sailor Neptune on Sailor Moon was completely edited out [39].

Insinuated relationships between minors and older males were also censored, such as the one between Sakura and Yukito, as were student — teacher relationships like the one between 10 year old Rika and her significantly older teacher, Tereda Yoshiyuki. Why were these relationships cut from the American television broadcast of Cardcaptors when it was acceptable for them to be shown on Japanese television?

Why was there a need to censor the mature themes that were present in the anime? The straightforward answer to that would be because apart from their concern over gender demographics, Nelvana aimed Cardcaptors at a decidedly young audience, namely American children between 7 and 12 years of age [40]. To understand the need for Cardcaptors to be censored in America given this target audience, we have to first look at the perception of cartoons and anime by association in America.

You are not expecting to see that. Thus, when anime were brought over to America, they were viewed in the same light as traditional American cartoons, simply due to the fact that anime was animated. This relationship partially explained why the producers found it necessary to censor certain mature themes in Cardcaptor Sakura.

The majority of Japanese respondents however were brought up on anime and therefore used to the mature themes present in it [45]. Susan Napier predicted that Princess Mononoke would have had to have undergone edits if it were to be shown on television in America [47]. Interestingly, despite Cardcaptor Sakura being able to appeal to audiences of all ages, it was mainly targeted towards a similar age group in Japan as well [48]. In light of this, several censorship decisions would also have been attributed to the difference of moral values which exist in mainstream America and Japan.

Different parenting styles present in America and Japan and could explain why the producers felt it was necessary to make the changes to Card Captor Sakura when they adapted it for an American audience.

The Japanese on the other hand, used anime to a certain extent as a teaching tool to introduce mature themes to their children. Using anime to introduce said mature themes, the Japanese were then able to discuss them with their children. Religious concerns are likely to have played a part in encouraging producers to censor Cardcaptor Sakura.

During the penguin show, something catches the trainer's leg and a penguin and pulls them into the water, but they are saved by Sakura's brother, Toya , who is working part-time there. At school, Tomoyo gives Sakura and Kero mobile phones and on the way home, Sakura bumps into Yukito who invites her on a casual "date" to the aquarium. While they are eating, the Watery Card attempts to drown Sakura.

For the first time, Sakura has to formulate a plan to capture a card. Using her wits and an unintentional clue from Yukito, she lures Watery into a freezer to immobilize and capture it. But while running an errand for her father, the two cards activate creating a jungle inside the house. Sakura gets the hard-earned lesson that a card is not fully subdued until she signs her name on it.

Sakura and her friends visit the shop after school to find most of the merchandise still packed, so they offer to help. Chiharu Mihara , who has a fondness for stuffed animals, buys a stuffed panda , but it disappears shortly after taking it home.

Sakura discovers the panda back in Twin Bells, and Maki explains that her business has been plagued by mysterious happenings that almost forced her to close down. While Tomoyo distracts Maki in the back, Sakura and Kero search the shop to find the Jump Card, which escapes with all the stuffed dolls in the shop. At Penguin Park, the Jump grows into a giant by absorbing the stuffed dolls, but it knocks itself out after it trips and falls allowing Sakura to capture it.

The girls investigate, encountering it as well, but all of them claim their saw something different. Sakura, Kero, and Tomoyo later return to the woods, where the phantom materialises as the ghost of Sakura's late mother Nadeshiko. However, it lures Sakura off a cliff, but she is rescued by Yukito, who comments that her mother would never put Sakura in danger. Sakura confronts the entity a second time, realising it is a Clow Card, which she seals, the culprit identified as the Illusion Card.

Toya, who can see ghosts, sees his mother's spirit watching over Sakura. Before her eyes, the painting comes to life, silencing the room. Sakura, Tomoyo, and Kero later sneak into the museum to catch the Silent Card, encountering the boy, actually a girl named Yuki Tachibana, who claims her father created the painting which the Silent is inhabiting. Sakura tries to catch the card, but it continues to teleport the group out of the museum when they make noise.

Using the Shadow Card, Sakura successfully catches the Silent, restoring the painting to normal. She hears from both Kero and Yukito that it might be a "foretelling dream".

During recess, he demands the Clow Cards from her, but is scared off when Toya and Yukito appear. Kero explains to Sakura that Syaoran and the Li family are direct descendants of Clow Reed , the cards' creator. During a thunderstorm with no rain, Sakura encounters Syaoran who displays superior magical powers. Together, they are able to subdue the wolf-like Thunder Card, but Syaoran has no respect for Sakura. Rika and Tomoyo take Sakura to a shop to try to cheer her up.

The three each buy brooches and return to Sakura's house for tea and pudding. When Rika puts on her brooch, actually the Sword Card, it possesses her, and attacks Sakura. Syaoran saves Sakura who refuses to attack Rika, preventing him from doing so as well.

The next day, Syaoran is dismayed when he sees Sakura offer a gift of chocolate to Yukito, and quickly gives sweets of his own. Tomoyo has to explain to Sakura that Syaoran is "interested" in Yukito just like Sakura is. When Sonomi and Sakura's father, Fujitaka , meet, both are shocked. From their conversation, it is revealed that Sonomi is a cousin to Sakura's mother and she blames Fujitaka for her death, though not in any direct way.

While Sonomi and Fujitaka race in the parent's race, there is a downpour of flower petals. Sakura finds the merry Flower Card on the roof spreading the petals, and captures her.

She cools tension between Fujitaka and Sonomi by leaving them nadeshiko flowers. She is shocked to find Tomoyo's house to be an elaborate mansion with maids. Sonomi rushes over when she hears of Sakura's visit and shares the memories of Nadeshiko with Sakura over tea. While Sonomi is taking care of business over the phone, Tomoyo presents her mother's prized jewellery box to Sakura, demonstrating how the key is rejected when she tries to unlock it.

Kero suspects it is the Shield Card's doing. Sakura uses the Sword Card to slice away the protective barrier of the Shield and captures it. Inside the box is a dried bouquet of cherry blossoms from Sakura's mother's wedding and the first present Sakura ever gave Tomoyo, an eraser shaped like a bunny.

Syaoran is entranced and becomes an instant fan, until he discovers that Fujitaka is Sakura's father. The next day, Sakura has a recorder test, but fails to hit a couple of notes. She falls asleep disappointed, but is awakened by the elementary school's clock tower bell at midnight.

Sakura is confused the next day when everything from the previous day happens again. This time, she is approached by Syaoran who explains it might be the work of the Time Card. After a failed attempt to capture the card and repeating the same day once again, Sakura manages to chase the Time, and into Syaoran's thunder ward trap.

Since it was Syaoran who changed the card into its original shape, the Clow Card belongs to him. Near noon, something begins to break open the cages causing chaos amongst the visitors and Kero is positive it's a Clow Card.

The Power Card, although invisible, begins to torment the elephants and Sakura steps in to save them by challenging it to a game of tug-of-war. Sakura is no match for the Power Card even with the help of the elephants. Just as Sakura is about to lose, Syaoran uses the Time Card to stop time to help her win the battle, thus tricking Power into surrendering.

She meets Tomoyo and Syaoran there and watches a play by Yukito and Toya's class. During the play, a corrosive mist forms outside the auditorium and enters through the vents where it destroys the stage and puts Toyo and a girl named Yoko in danger.

Toya gently rejects Yoko's feelings, since he is in love with Yukito. Tension develops between Kero and Sakura over the issue which builds into a fight the next day, after Kero makes a mess after building a room inside Sakura's desk drawer. While Sakura is at school, Kero eats liquor-filled chocolate and wanders out the window drunk. The next day, he finds himself with a young girl named Akane who lives alone with her mother. Unable to escape, Kero secretly contacts the worried Sakura by fax.

Akane wishes she could fly to see her father in heaven and the Float Card carries up into the sky. Sakura comes to her rescue and brings Kero back home. As a way of making amends, Sakura redesigns her bottom desk drawer to become Kero's bedroom from now on. Sakura meets the old owner of a country mansion near their rented cottage. He invites her over for tea, tennis, and they become good friends. He shows her the room of his granddaughter, now deceased, and gives Sakura clothes that once belonged to her.

The next day, Fujitaka gives Sakura cookies to give to the old man. On the last day of her vacation, Sakura asks the old man to stand in the balcony of his granddaughter's room. From a distance, Sakura uses the Rain Card to give the old man a rainbow as a goodbye gift.

Sonomi comes out of hiding to speak with the old man to reveal the old man is Masaki Amamiya, the grandfather of both Sonomi and Nadeshiko, and Sakura's great-grandfather. On the first night, Naoko tells one of her scary story causing Sakura to flee to the teacher's lodging, but she is found by Syaoran who senses something in a cave nearby.

Together at the beach, the two have their first civil conversation where Syaoran tells Sakura about Wei Wang, his legal guardian. In a test of courage , the students are sent into the cave to place a candle at the shrine. However, all of them save Sakura and Syaoran disappear. Syaoran realizes the Erase Card is responsible, encouraging Sakura to catch it before he too vanishes. She succeeds, restoring everyone. When she offers the card to Syaoran, he rejects it. After meeting Chiharu and Takashi, Sakura and Yukito wander away from the group where they find glowing lights falling from a tree like snow at the back of the shrine—just like a dream Sakura envisioned the night before.

Just as Sakura is about tell Yukito something, she is interrupted by their friends. When everyone leaves for snow cones, Sakura captures the Glow Card. Making a deal with her brother and Kero to help her, Sakura is left with only a book report to do, and meets with Tomoyo at the library. There, they meet Syaoran who refuses to share a library cubicle. Sakura needs a specific book to do her report on, as does Syaoran.

When the Move Card steals it and teleports the book around, Sakura and Syaoran give chase. They successfully capture it, but fall into the river. Syaoran takes Sakura and Tomoyo home to dry up, only for a Chinese girl, his cousin Meiling Li, to unexpectedly arrive.

Meiling, aggressive and bratty, takes a disliking to Sakura, believing she is Syaoran's rival. At home, Sakura learns a mysterious woman is challenging people to fights. Worried this woman could target Toya, Sakura searches for her. Meiling appears, sporting her own battle costume, identifying the assailant as a Clow Card.

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sakura card captor 57 latino dating